This informative article on video post-production picks up from graphics. ‘Post’ production is the place where we pull each of the elements together right into a finished video product.
But post-production work, known as ‘post’ or ‘posting’, usually involves more that just video. It’s often viewed as the entire procedure for combining video, stills, text overlays, 3D and graphics, audio dialog, audio sound effects, music.… literally all the elements. And attempting to put together it right into a single cohesive product. Yes, this may be a good time to break out the talent, and also the coffee.
Unlike the pre-digital days, today’s post is usually done on stock computers, in a fairly normal office setting. Heck, within a pinch it can also be done in your laptop sitting on your commuter train.
A better setup, though, would put you in a reasonably sized room using a generous desk and one or two large monitors. Any recent-vintage Mac or Windows machine would work perfectly for almost all projects, and many of today’s software runs on both platforms. (Here’s a great article on Linux editing.)
What slightly differentiate a video workstation could be making sure you experienced enough hard disk space (never enough!), and a generous volume of memory. You will also want an excellent audio playback system, as sound is an integral part in the mix. Fast video cards are preferred, but a majority of stock video work.
A post studio space is not designed for doing recording, but you know what? Of all projects you will probably have audio elements that require creating. So a enough sq . ft . to create a mic or two is nice. So will do room for comfy chairs for your personal clients or creative directors. They may all occasionally pop in.
Lots of creative and grunt work could possibly get done out on location, before even returning to your post studio. Adobe’s Prelude (all Adobe Creative Cloud prices vary according to plan) is designed for this niche, offering logging and rough-cut edit sessions. All Prelude work can later be opened in Premier.
Adobe Prelude is actually a much simplified cuts-only editor and logger, great for on location
For field work, I wanted the smallest and cheapest notebook that will run Prelude. I may have found it inside the Nextbook Flexx 11-inch tablet/keyboard combo running Windows 8.1 ( about $200US). Includes 11.6-inch touchscreen, USB, micro SD reader, micro HDMI, and Atom 1.8GHz Quad-Core.
Post-production uses a selection of software applications that do a number of things. As the editing application will most likely end up being the final destination, work will also be completed in other programs such as a compositor for elaborate graphics, color grading software, 3D, and a selection of audio and music software. Large studios have specialists operating in each one of these categories. Nevertheless in small shops, most of us do all of it, that is daunting, but rewarding (okay, sometimes just daunting).
With regards to editing applications, there’s an abundance of options (See Wikipedia’s extensive chart). Generally, the major two are Adobe’s Premiere and Apple’s Final Cut Pro X. ($299US, Mac only), was the marketplace king, up until the launch of the ‘X’ edition in 2011, which sent many pro users packing.
Adobe Premiere Pro has took advantage of the FCPX exodus, and also from numerous years of steady. Premiere has gained a loyal professional following, and it is suited for major film/TV productions. It operates on Mac and Windows, and obviously integrates well with Adobe’s other Creative Cloud tools.
Other excellent editors, with unique strengths include Sony’s Vegas, recognized for its strong audio editing tools. DaVinci Resolve from Black Magic Design ($995US) counts its color grading toolset as the strength. A free version is likewise available that may be almost as powerful. Finally, Avid’s Media Composer ($29.99US/month) is still heavily utilized in Hollywood and television production.
Editing software is capable of doing some graphic effects, titling and light compositing. But when you require more, it’s time for the compositor. Far and away the most common compositor is Adobe’s After Effects (AE), which is capable of doing almost endless effect creations.
Right out of the gate, AE incorporates great tools and a huge list of plugins that permit staggering capabilities. It might control the style of imported video, along with the sound. It allows video warping, rotoscoping, and even animating in 3D/2.5D space.
Need more effects or anything unique? Third-party plugin developers have developed tools that may create insanely great effects. A well used favorite of mine are the types from Red Giant, who makes the well-known ‘Trapcode’, ‘Shooter’ and ‘Magic Bullet’ suites of effects, and others. Effects which simply blow clients away.
Other specialized effect plugins are for correcting the video footage, like Imagenomic’s Video Suite tools ($99US/annually) that enables the softening of facial wrinkles. This is accomplished to still images, but without this type of plugin, it is actually a hard thing to do in video.
BlackMagic Design’s Fusion is yet another great compositing solution. Listed at $995US for the full version, additionally they offer an low-end version that may be completely free – a great way to start learning Fusion’s powerful node-based compositing system!
While 2D compositor special-effect capabilities keep improving each year, there are still things that should be completed in 3d, when budgets allow.
Blender3D now offers 2d animation company in kolkata, camera tracking and also other abilities
Blockbuster film effects tend to be carried out programs like Autodesk’s Maya ($1470US subscription annually), Side Effect’s Houdini (price varies) or 3ds Max ($1470/annual). But the 3D industry is vast with many options. Make sure to also browse the open source gorilla inside the 3D market, Blender3D.
Currently, most competent audio programs permit you to import video to use as a backdrop reference for timing your audio and music work.
For those who have Adobe’s Creative Cloud suite, then you already have their Audition audio editing software package (though the majority of you almost certainly haven’t installed it yet!). Audition is a kick-arse program that supports imported video. Nonetheless its built in workspace ‘Edit audio to video’ didn’t seem to arrange the screen adequately. Thus I opened the video window (WINDOW>video), dragged its tab into a current panel, and after that juggled somewhat. It’s still evolving.
Got the chops to make music to your visual masterpiece? Check out SONAR from Cakewalk ($99-499US), an “advanced music production environment” that supports touch screens, and contains tools that include their new ‘Vocal Sync’ toolset that is used to align vocal tracks and correct the timing of audio dialog replacement.
Not being a musician, my favorite feature is being able to hum/whistle/sing the notes into SONAR, which then converts it into musical instrument sounds!
It wasn’t long ago that people made the move top video seo company. It put strains on our computers and networks initially, until our systems caught up. Now 4K (aka ‘Ultra HD’ in consumer world) is making its means by. For video post this means getting fast computers which have decent levels of ram, lots of hard disk space, and dexppky05 your networks are up to snuff. Lets begin with speaking about screens.
Few the situation is as widely priced as computer monitors. They move from dirt cheap, to the thousands. If you have the bucks for your high-end, wonderful. But understand that even most moderately priced models today have excellent color and specs. We checked out two monitors, each with something unique, and all of with an eye to keeping it affordable.
The Samsung S27D590CS (street price $330US) is actually a sexy option with Samsung’s eye-popping curved screen. This is a very affordable 27-inch unit. Granted, at 1920×1080 it’s resolution is basic HD, but the image and experience is killer. A curved screen isn’t for everybody, even though it is mild so should be very easy to adapt to.